Asian American & Pacific Islander Heritage Month 2025

Events

AAPI Leadership Panel 5/21 WED 12PM-1:30PM ZOOM Event Join Us in Learning More About our Senior APPI Leaders at UC Berkeley!

  • May 21, 2025 from 12:00-1:30pm via Zoom. APASA AAPI Leadership Panel. Moderated by Em Huang, Director of LGBTQ+ Advancement and Equity in the Gender Equity Resource Center. Featuring panelists: Ankita Rakhe, Associate Dean of Students, Student Engagement; Audrey Thomas, Director of Data & Institution Research; Cory Vu, Associate Vice Chancellor of Health and Wellbeing; and Sunny Lee, Associate Vice Chancellor & Dean of Students.

past as present APA religions, renewal and collective care APARRI 2025 june 10 to 12 2025 at UC Berkeley

Faculty

Philip Kan Gotanda with pine trees as the background

Philip Kan Gotanda

Over the last four decades, playwright Philip Kan Gotanda has been instrumental in bringing stories of Asians in the United States to mainstream American theater. Mr. Gotanda has specialized in the Japanese American family, writing a cycle of works in theater, film and opera chronicling their story from the early 1900s to the present.  Mr. Gotanda's newest work, the opera, Both Eyes Open, created with composer Max Giteck Duykers, investigates the interior life of a nisei farmer who upon his self-inflicted death, revisits the events of his life. Mr. Gotanda holds a law degree from UC Law SF and studied pottery in Japan with the late Hiroshi Seto.  Mr. Gotanda is a respected independent filmmaker. His film, Life Tastes Good, was an official selection for the Sundance Film Festival.  Mr. Gotanda is a professor with the Department of Theater Dance and Performance Studies at the University of California at Berkeley.

Scholarly work:

1. Both Eyes Open opera (composer Max Giteck Duykers, librettist Philip Kan Gotanda, 2022)

2. Body of Eyes (score by Shinji Eshima, text by Philip Kan Gotanda, 2019)

3. The Wash (written by Philip Kan Gotanda, 2013)

4. Life Taste Good (directed by Philip Kan Gotand, Life Tastes Good Productions, 1999)

5. Drinking Tea (directed by Philip Kan Gotand, Joe Ozu Productions, 1996

Abigail De Kosnik headshot

Abigail De Kosnik

Abigail De Kosnik is an Associate Professor at University of California, Berkeley in the Berkeley Center for New Media and the Department of Theater, Dance, and Performance Studies. She researches digital culture, film and television, fandom, and piracy. De Kosnik’s bookRogue Archives: Digital Cultural Memory and Media Fandom was published by MIT Press in 2016. She is Filipina American.

Scholarly works:

1. “#CancelColbert: Popular Outrage, Divo Citizenship, and Digital Political Performativity.” In #identity: Hashtagging Race, Gender, Sexuality, and Nation, edited by Abigail De Kosnik and Keith Feldman. 2019.

2. “Relationshipping Nations: Philippines/U.S. Fan Art and Fan Fiction.”Transformative Works and Cultures, Vol. 9 (in special issue on “Fans of Color, Fandoms of Color,” edited by Abigail De Kosnik and andré carrington). 2019.

3. “Filipinos’ Forced Fandom of U.S. Media: Protests against The Daily Show and Desperate Housewives as Bids for Cultural Citizenship.”  In The Routledge Companion to Media Fandom, edited by Melissa A. Click and Suzanne Scott (Routledge).  2018.

5. “Perfect Covers: Filipino Musical Mimicry and Transmedia Performance.” 

6. Verge: Studies in Global Asias, Vol. 3, No. 1 (Spring 2017), pp. 137-161.  2017.

7. “The Mask of Fu Manchu, Son of Sinbad, and Star Wars IV: A New   Hope: Techno-Orientalist Cinema as an Mnemotechnics of 20th Century U.S.-Asian Conflicts.”  In Techno-Orientalism: Science Fiction History, Literature, Media, edited by David S. Roh, Betsy Huang, and Greta Niu (Rutgers University Press). 2015.

Long Le-Khac

Long Le-Khac

Long Le-Khac is the son of Vietnamese refugees. He is an Assistant Professor of Ethnic Studies at University of California, Berkeley. His research and teaching focus on culture and literature, the relations between Asian Americans and Latinxs, race and the environment, and digital approaches to the study of culture. His book Giving Form to an Asian and Latinx America was published by Stanford University Press in 2020.

Selected Scholarly Works:

“#BLM Insurgent Discourse, White Structures of Feeling, and the Fate of the 2020 ‘Racial Awakening,’” with Richard Jean So and Maria Antoniak, New Literary History, 53, no. 4 / 54, no. 1 (June 2023): 667-692.

“The Asian American Literature We’ve Constructed,” with Kate Hao, Post45 no. 7/Journal of Cultural Analytics no. 4 (April 2021): 146-179.

“Narrating the Transnational: Refugee Routes, Communities of Shared Fate, and Transnarrative Form.”MELUS: Multi-Ethnic Literatures of the U.S. 43, no. 2 (Summer 2018): 106-128.

“Bildungsroman Hermeneutics in the Post-Civil Rights Era.”American Literature 90, no. 1 (March 2018): 141-170.

“A Quantitative Literary History of 2,958 Nineteenth-Century British Novels: The Semantic Cohort Method,” with Ryan Heuser. Pamphlets of the Stanford Literary Lab, 2012.

Vernadette Vicuña Gonzalez

Vernadette Vicuña Gonzalez

Vernadette Vicuña Gonzalez examines cultures of imperialism, with a focus on the U.S. and its colonial territories and interventions in Asia and the Pacific. She explores how race, Indigeneity, gender, and sexuality intersect and operate in the cultural terrains of empire. She examines how empire operates through and in a register of intimacy, particularly through the production of consent and hospitality upon which it relies. Currently, she is working on a project about hospitality and its discontents. 

Scholarly works:

Bangtan Remixed (co-editor with Patty Ahn, Michelle Cho, Rani Neutill, Mimi Thi Nguyen, and Yutian Wong, Duke 2024)

Empire's Mistress, Starring Isabel Rosario Cooper (Duke 2021) Honorable Mention for History 2023, Association for Asian American Studies

Empire’s Mistress, author’s conversation with Theo Gonzalves, part of the Better Tomorrow Speaker Series (University of Hawai'i Mānoa March 11th, 2021)

Detours: A Decolonial Guide to Hawai'i (co-editor with Hōkūlani K. Aikau, Duke 2019) - now anchors a book series with Duke University Press and also inspired an open source ibook in collaboration with the University of Hawai‘i’s Center for Pacific Islands Studies (in development)

Securing Paradise: Tourism and Militarism in Hawai'i and the Philippines (Duke 2013) Best book in Cultural Studies 2015, Association for Asian American Studies